パラレル・プロジェクションズ
Parallel Projections
日本建築学会主催の特別企画、”パラレル・プロジェクションズ”の展示のために製作された。
130人の展示が、大きな一室に、極めてフラットに並べられるため、鑑賞者とコミュニケーションできるものにすることで、記憶に残るようにしたかった。そこで、各プロジェクトは蛇腹のブックレットの形式にまとめ、パネルから引き出せるように並べた。ブックレットの表紙は敷地を大きく引いて捉えられた航空写真とし、各プロジェクトに特徴的なマテリアルのかけらを、ほうっておくと広がってしまう蛇腹の本の重石として用いた。重石に触れたり、持ち上げるときに感じる重さが、展示に向き合う体験を豊かにする。
何千〜何万分の一というスケールの航空写真が表す環境のテクスチャーや組成と、質感のあるマテリアルが直接対面しているという、不思議な風景が広がっていた。
写真：瀧原界
photo credit : KAI TAKIHIRA
This display was created for the “Parallel Projections” exhibition organized by the Architectural Institute of Japan.
The exhibition presented a flat row of displays made by 130 participants in a single room. Therefore, we aimed to make our display memorable by facilitating communication with the audience. Each project was organized into a folded booklet that could be pulled out of the panel. A corresponding aerial photograph was shown on the cover of each booklet. A piece of the primary material used in each project was used to hold the booklets down. The act of touching and feeling the weight of these materials enriches the audience’s experience.
The environmental texture and composition shown by the aerial photographs were juxtaposed with the materiality of the weights, creating a rather peculiar scene.
The exhibition presented a flat row of displays made by 130 participants in a single room. Therefore, we aimed to make our display memorable by facilitating communication with the audience. Each project was organized into a folded booklet that could be pulled out of the panel. A corresponding aerial photograph was shown on the cover of each booklet. A piece of the primary material used in each project was used to hold the booklets down. The act of touching and feeling the weight of these materials enriches the audience’s experience.
The environmental texture and composition shown by the aerial photographs were juxtaposed with the materiality of the weights, creating a rather peculiar scene.
パラレル・プロジェクションズ
Parallel Projections
日本建築学会主催の特別企画、”パラレル・プロジェクションズ”の展示のために製作された。
130人の展示が、大きな一室に、極めてフラットに並べられるため、鑑賞者とコミュニケーションできるものにすることで、記憶に残るようにしたかった。そこで、各プロジェクトは蛇腹のブックレットの形式にまとめ、パネルから引き出せるように並べた。ブックレットの表紙は敷地を大きく引いて捉えられた航空写真とし、各プロジェクトに特徴的なマテリアルのかけらを、ほうっておくと広がってしまう蛇腹の本の重石として用いた。重石に触れたり、持ち上げるときに感じる重さが、展示に向き合う体験を豊かにする。
何千〜何万分の一というスケールの航空写真が表す環境のテクスチャーや組成と、質感のあるマテリアルが直接対面しているという、不思議な風景が広がっていた。
写真：瀧原界
photo credit : KAI TAKIHIRA
This display was created for the “Parallel Projections” exhibition organized by the Architectural Institute of Japan.
The exhibition presented a flat row of displays made by 130 participants in a single room. Therefore, we aimed to make our display memorable by facilitating communication with the audience. Each project was organized into a folded booklet that could be pulled out of the panel. A corresponding aerial photograph was shown on the cover of each booklet. A piece of the primary material used in each project was used to hold the booklets down. The act of touching and feeling the weight of these materials enriches the audience’s experience.
The environmental texture and composition shown by the aerial photographs were juxtaposed with the materiality of the weights, creating a rather peculiar scene.
The exhibition presented a flat row of displays made by 130 participants in a single room. Therefore, we aimed to make our display memorable by facilitating communication with the audience. Each project was organized into a folded booklet that could be pulled out of the panel. A corresponding aerial photograph was shown on the cover of each booklet. A piece of the primary material used in each project was used to hold the booklets down. The act of touching and feeling the weight of these materials enriches the audience’s experience.
The environmental texture and composition shown by the aerial photographs were juxtaposed with the materiality of the weights, creating a rather peculiar scene.